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artwork preparation
acid etching
custom casting
dry transfers
custom scenics
4D laser
   
 
Acceptable file formats
  • Artwork can be e-mailed to us or sent on disc in any windows format, ideally as an .EPS .DWG .CDR. .DFX or .Ai file.
  • We do accept image files such as .JPG .TIFF .GIF .BMP but you must make sure that these images are at a resolution that makes them crisp (i.e. 300dpi for .JPG).
  • MAC users should save artwork as an .EPS, Ai, freehand or Photoshop files.

Wherever possible:

  • embed fonts and convert to paths.
  • If you are using special fonts, include the font suitcase with your order.
  • It is useful to include notes with your artwork indicating any relevant information such as: final size, colour, whether you are repeating an image etc.
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If you do not wish to prepare your artwork, we do offer an artwork preparation service at a cost of £42.00/hour.

E-mailed artwork will incur a cost of £13.00 for downloading & preparation.

You will find specific information on how to prepare your artwork for acid etching, dry transfers and laser on the appropriate page.

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How to edit multiple polylines in Autocad Setting up an icon button to edit groups of polylines in auto cad:
1. Right click in the grey area on the top of the screen where the tool bars appear and click on customize.
2. A toolbar box should appear in the centre of the screen, choose customize
3. From the catagories choose Modify and drag and drop the poly line edit icon into the drawing area of the screen
4. With the tool bar box still open right click on the centre of the icon which will bring up the buttons properties
5. In the macro it will say ^C^C_pedit this needs to be changed to ^C^C_mpedit by inserting 'm'
6. It is well to change the icon image as well so it is not confused with the original command by clicking on the Edit icon button, put extra coloured line on the icon and Close
7. When you have done this click on apply and drag the new icon to the grey icon area at the top of the screen
8. Close the Customize Toolbar and the Toolbar windows This will now allow you to edit more than one line at a time.
Note:- Remember when ending the edit polylines command you have to return twice to confirm the line weight change
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Transfer artwork drawn with AutoCAD

In order to produce a high quality, accurate, negative for transfer production we use an image setter rather than a camera.

The image setter cannot be run from AutoCAD, so, in order to use AutoCAD transfer artwork, we have to import the AutoCAD file into Adobe Illustrator.

This can only be done quickly and easily if the AutoCAD file is organised in a very specific way.

Importing AutoCAD files into Illustrator

AutoCAD files can be successfully opened in Illustrator, but two types of important information will be lost or corrupted:

1. Hatched areas will disappear entirely.

2. Line widths can be imported, but often become altered or lost altogether.

Both of these problems can be overcome.

1. Hatched areas can be re-created in Illustrator as long as they are surrounded by one, continuous, unbroken polyline. This outline will import into Illustrator and can be quickly re-filled. If the outline of a hatched area consists of more than one line and/or polyline they can be joined using the "edit polyline" command. Ideally all outlines of hatched areas of a specific colour should be on one, clearly labelled, layer together.

2. To re-create line widths all of the lines in the artwork are set to a width of zero in AutoCAD. They will then successfully import into Illustrator. It must be clear what width the lines should be, so that they can be widened back out to the correct width once the file has been opened in Illustrator. Ideally all lines of a specific width and colour should be on one, clearly labelled, layer together.

To avoid having to deal with each individual component of an artwork separately in Illustrator it is very important that the AutoCAD file is organised so that components can be dealt with in groups.

Examples: The boundaries of every red hatched area in the artwork should be on one layer together.

Every blue line with a width of 0.4mm in the artwork should be on a single layer.

These layers must not contain any objects other than the one type of object that they are intended for. If they do, when the objects in the layer are re-created in Illustrator the same process will be applied to the extra objects in the layer. This will result in unwanted objects appearing in the final artwork.

Examples:
If construction lines with an intended width of zero, which are not intended to show up on the finished artwork, are left on a layer with lines that are intended to be 0.5mm they will be widened to 0.5mm along with the lines that should be that width. This will result in unwanted 0.5mm lines appearing in the final artwork.

If a partial outline of a hatched area or even a single line is left underneath, or on top of, a full outline, Illustrator will attempt to fill the partial outline as well as any full outlines on the layer. This will result in unwanted partial objects obscuring all or part of the intended objects in the finished artwork.

If construction/guide lines, which are not intended to show up in the final artwork, are created in the drawing process, they should be confined to their own separate layers so that they can easily be turned off or deleted.

Complex Objects
Although filled objects with holes in can be created in Illustrator it is time consuming if there are more than a very few objects, as each object must be individually created. It is much quicker and easier to create the effect of a complex object by putting solid objects of different colours on top of each other.

Example: (see illustration)
To create a black door, with grey panel-edge detail and black panels a solid black oblong is first created for the door. A smaller grey oblong is put on top of this to provide the panel-edge detail. Four, still smaller, black oblongs are finally put on top of this to provide the panels.

The different levels of fill required to create a complex object must be separated out into different layers as shown, even if they are of the same colour, so that they can be arranged into the correct order to accurately re-create the entire object in Illustrator.

If an AutoCAD drawing is carefully organised, in the way described here, it takes little time, even for large and complex images, to re-create the entire artwork in Illustrator.

We are happy to include this process in the basic cost of producing a transfer.

If the drawing is not produced in this way it can take several hours of computer time to make the artwork suitable.
We charge for this time at a rate of £42.00+V.A.T. per hour (minimum charge 1 hour), effective from 25th January 2008.

If you are unable to produce artwork in the recommended manner and are unwilling to pay for it to be converted, we can produce negatives using a repro-camera. This does not require importing the file into Illustrator. We accept no responsibility for any loss of quality or accuracy that results.

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