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artwork preparation
acid etching
custom casting
dry transfers
custom scenics
4D laser
   
 

finished artwork, e-mailed to us can usually be returned within 48 hours

We can turn your artwork into:

dry transfers - produced as single colour, multi colour or foil (silver, pale gold, rich gold) transfers

photo realistic film - photo quality dry transfers

waterslides - transfers that are applied wet and slid into place

direct image transfers - we can apply an image directly onto a material of your choice, typically onto plastic & coated card

dry transfers dry transfers
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Artwork preparation
We will colour match your transfer to any pantone, metallic or other reference. Transfers can be produced with either a low or high tack adhesive on them depending on your requirements.

For single colour transfers provide the artwork in black with a colour reference.

For multi coloured transfers it is best to provide separated artwork with a reference for each colour. We can separate artwork for you at a cost of £42.00/hr.

Artwork produced by us on computer from your annotated sketches will be faxed, emailed or posted to you so you can confirm that it is correct before the transfers are made.

This service is typically used by product designers for logos, numbering and lettering, or by architectural model makers for detailing on buildings such as windows and doors.

We have also undertaked work for the hobby market, producing detailing for trains and military vehicles.

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Transfer artwork drawn with AutoCAD

In order to produce a high quality, accurate, negative for transfer production we use an image setter rather than a camera.

The image setter cannot be run from AutoCAD, so, in order to use AutoCAD transfer artwork, we have to import the AutoCAD file into Adobe Illustrator.

This can only be done quickly and easily if the AutoCAD file is organised in a very specific way.

Importing AutoCAD files into Illustrator

AutoCAD files can be successfully opened in Illustrator, but two types of important information will be lost or corrupted:

1. Hatched areas will disappear entirely.

2. Line widths can be imported, but often become altered or lost altogether.

Both of these problems can be overcome.

1. Hatched areas can be re-created in Illustrator as long as they are surrounded by one, continuous, unbroken polyline. This outline will import into Illustrator and can be quickly re-filled. If the outline of a hatched area consists of more than one line and/or polyline they can be joined using the "edit polyline" command. Ideally all outlines of hatched areas of a specific colour should be on one, clearly labelled, layer together.

2. To re-create line widths all of the lines in the artwork are set to a width of zero in AutoCAD. They will then successfully import into Illustrator. It must be clear what width the lines should be, so that they can be widened back out to the correct width once the file has been opened in Illustrator. Ideally all lines of a specific width and colour should be on one, clearly labelled, layer together.

To avoid having to deal with each individual component of an artwork separately in Illustrator it is very important that the AutoCAD file is organised so that components can be dealt with in groups.

Examples: The boundaries of every red hatched area in the artwork should be on one layer together.

Every blue line with a width of 0.4mm in the artwork should be on a single layer.

These layers must not contain any objects other than the one type of object that they are intended for. If they do, when the objects in the layer are re-created in Illustrator the same process will be applied to the extra objects in the layer. This will result in unwanted objects appearing in the final artwork.

Examples:
If construction lines with an intended width of zero, which are not intended to show up on the finished artwork, are left on a layer with lines that are intended to be 0.5mm they will be widened to 0.5mm along with the lines that should be that width. This will result in unwanted 0.5mm lines appearing in the final artwork.

If a partial outline of a hatched area or even a single line is left underneath, or on top of, a full outline, Illustrator will attempt to fill the partial outline as well as any full outlines on the layer. This will result in unwanted partial objects obscuring all or part of the intended objects in the finished artwork.

If construction/guide lines, which are not intended to show up in the final artwork, are created in the drawing process, they should be confined to their own separate layers so that they can easily be turned off or deleted.

Complex Objects
Although filled objects with holes in can be created in Illustrator it is time consuming if there are more than a very few objects, as each object must be individually created. It is much quicker and easier to create the effect of a complex object by putting solid objects of different colours on top of each other.

Example: (see illustration)
To create a black door, with grey panel-edge detail and black panels a solid black oblong is first created for the door. A smaller grey oblong is put on top of this to provide the panel-edge detail. Four, still smaller, black oblongs are finally put on top of this to provide the panels.

The different levels of fill required to create a complex object must be separated out into different layers as shown, even if they are of the same colour, so that they can be arranged into the correct order to accurately re-create the entire object in Illustrator.

If an AutoCAD drawing is carefully organised, in the way described here, it takes little time, even for large and complex images, to re-create the entire artwork in Illustrator.

We are happy to include this process in the basic cost of producing a transfer.

If the drawing is not produced in this way it can take several hours of computer time to make the artwork suitable.
We charge for this time at a rate of £42.00+V.A.T. per hour (minimum charge 1 hour), effective from 25th January 2008.

If you are unable to produce artwork in the recommended manner and are unwilling to pay for it to be converted, we can produce negatives using a repro-camera. This does not require importing the file into Illustrator. We accept no responsibility for any loss of quality or accuracy that results.

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Price Guide

Please note you will be charged for the film (one off charge) + the sheet price shown below:

cost example for a 2 colour A4 transfer

emailed artwork £14
A4 filmwork (1st colour) £15
A4 filmwork (2nd colour)* £15
two colour A4 sheet £60
total:
£104+VAT

*please note we have to make a film for each colour used in the transfer

Artwork preparation  
emailed artwork £14.00
4D computer generated artwork per hour £42.00
A4 filmwork £15.00
A3 filmwork £26.00
Standing film charge £14.00
   
Dry transfers  
single colour A4 £24.00
two colour A4 £60.00
three colour A4 £90.00
four colour A4 £121.00
five colour A4 £154.00
   
single colour A3 £42.00
two colour A3 £96.00
three colour A3 £144.00
four colour A3 £192.00
five colour A3 £240.00
   
Foil transfers  
A4 foil £48.00
A3 foil £66.00
   
Photo realistic films  
A4 photo realistic films £POA
A3 photo realistic films £POA
A4 photo realistic transfers £POA
A3 photo realistic transfers £POA
   
Waterslides  
set up charge for single colour A4 sheet £309.00
set up charge for two colour A4 sheet £463.00
set up charge for three colour A4 sheet £617.00
cost per sheet of A4 single colour waterslides £6.60
cost per sheet of A4 two colour waterslides £8.80
cost per sheet of A4 three colour waterslides £11.50
   
Direct image transfer  
A4 direct image transfer £44.00
A3 direct image transfer £58.00

For more details, please call 020 7264 1288 or e-mail us.
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